Panasonic LUMIX DMC-LX10K Camera, 20.1 Megapixel 1" Sensor, 3X 24-72mm F/1.4-2.8 LEICA DC Lens, Black

Panasonic LUMIX DMC-LX10K Camera, 20.1 Megapixel 1" Sensor, 3X 24-72mm F/1.4-2.8 LEICA DC Lens, Black
From Panasonic

List Price: $699.99
Price: $647.99 Details

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Average customer review:
(4.0 stars, based on 490 reviews)

Product Details

  • Sales Rank: #1284 in Camera & Photo
  • Color: Black
  • Brand: Panasonic
  • Model: DMC-LX10K
  • Released on: 2016-11-28
  • Aspect ratio: 16:9
  • Dimensions: 2.36" h x 4.15" w x 1.65" l, .68 pounds
  • Battery type: Lithium Ion
  • Display size: 3


  • Large 1", 20 Megapixel sensor delivers brighter, more colorful photos with fewer image artifacts.
  • 3x (24-72mm) F/1.4-2.8 LEICA DC VARIO-SUMMILUX optical zoom lens performance, with super bright F/1.4-2.8 aperture for impressive background defocus effects.
  • 4K Ultra HD video recording plus exclusive LUMIX 4K PHOTO and 4K Post Focus and internal Focus Stacking modes.
  • Premium lens-mounted control ring brings DSLR-like exposure control to a compact point-and-shoot camera body.
  • Large 3.0-inch touch monitor (approx.1040k-dot) tilts upward 180 degree for easy selfie photos.

Inside the super compact Panasonic LUMIX DMC-LX10K beats the heart of a photographic enthusiast. The LUMIX DMC-LX10K is powered by Panasonic’s leading 1-inch 4K sensor, pumping out 20 megapixels of detail backed up by a super bright 3X LEICA DC VARIO-SUMMILUX F/1.4-2.8 (24-72mm) lens. Panasonic leads in 4K and the LUMIX DMC-LX10K offers a mix of 4K Ultra HD video recording, lighting fast 4K PHOTO, Post Focus, and now internal Focus Stacking modes. A lens mounted control ring provides the feel of a DSLR without the bulk. And with Wi-Fi and the ability to recharge by USB, on the go photography has never been easier.

Customer Reviews

Most helpful customer reviews

68 of 68 people found the following review helpful.
5The best point and shoot camera I've ever owned
By Neal Alfano
The best point and shoot camera I've ever owned. I'm a big Nikon guy but feel they are lacking in options with this range of camera. It was a toss up between this and the Sony RX100v, but I went this direction due to the articulating screen and a few other minor things. Both cameras are great, but for my use I went with the Lumix LX 10.

702 of 739 people found the following review helpful.
4PANA keeps improving on the LX3, but still not "perfect..."
By Nathaniel Allen
Wow, this was a tough upgrade decision. Sony's RX100 is superb competition, and I was certain *IT* would be the camera that pulled me out of the Panasonic camp (I also own an old Panasonic DMC-FX50 "bridge camera" in addition to an LX5, which replaced my LX3 -- plus my wife kept a Pana FX35 in her purse before she switched to Sony's slim TX9.

Despite keeping these few cameras around (really just the 3: the FX50, the TX9 and now the LX7), I'm just your Joe Average photographer, shooting mainly the kids, family/friend gatherings, special events, and some home construction-type projects, and other hobby interests.

And what I've ever really wanted out of the LX series is a compact, low light-capable camera with a respectable set of manual controls. Exactly what the SONY RX100 is with its huge sensor, and of the two, it is unquestionably the better performer for indoor shooting situations of fast moving kids, compared to the LX3 and LX5.

If that were my only criteria, I'd have never ordered the LX7, and might be typing up my thoughts on the RX100 instead. But maybe my four years of familiarity with the LX3/5 got the better of me. Maybe I'm just a sheep with a Panasonic logo branded on my flank. But there were a couple of sore points with the Sony that just plain made me unsatisfied. Rather than trash the RX100 (not my intention), here's my list:

- There's no escaping the benefit of the wide 24mm lens on the LX series. Not to mention the handy aspect ratio mode switching right on the bezel. And I use the 1:1 aspect ratio more than I care to admit.
- The Panasonic's hot shoe is a hot commodity when I need it. I have a Metz 36-AF4O (since replaced by the Metz 36 AF-5, I believe) which is about as big as the camera itself, but provides more than adequate light with bounce capabilities.
- Two of my gripes with the LX3 and LX5 were the difficulty of adjusting manual settings via push-button & thumb dial inputs. The LX7's aperture ring and dedicated manual focus lever have addressed this, with varying degrees of satisfaction.
- I get to keep my LX5 spare battery, which isn't such a huge deal, but just know that its shelf life is spectacular. Although my predicted number of shots between charges has decreased, per the manual. Nothing drastic; still great battery life.
- Most importantly, the Panasonic LX7 has a certain ease and quickness about it -- probably due in part to my use of its predecessors -- and combined with the newly added manual controls, it feels to me the design is finally at a point where I can set up various shooting solutions with a minimum of fuss and button pressing, nearly (but not quite) like my SLR days many years ago. The "user experience" of the Sony, by comparison, felt a little too menu driven and sticky.

Where did Panasonic fall short with this new model?

- For one, the image quality really hasn't changed. My thoughts are that the LX3 was excellent, but the LX5 tended to focus a little soft -- although nothing that stood out horribly amiss; maybe within the normal manufacturing variations? I don't want to speculate on sensor sizes or type playing a role, but I can attest Sony's RX100 shoots a "cleaner" or "crisper" portrait-style photo -- although that difference disappears once the image is downsized for printing/sharing.
- There's still no remote. Or cable release. Or Bulb mode. Can't tell you how much I enjoy those features on other cameras. For the LX5, I have a cable release adapter that slides into the hot shoe and extends an arm over the shutter release for a cable release to activate, but the hot shoe has been realigned on the LX7 so it no longer works.
- I continue to have trouble reading the silver-on-silver symbols etched onto the 4-way keys.
- If you're one to complain about the lens cap (I'm not, but I know a lot of LX users HATE the thing)... well, it's still here, and it's smaller than before, making it a little more difficult to clip on/clip off.
- I once committed to never buying a camera without a tiltable display, but that's just not an option. All things considered, the LX7 display is not as bright at the RX100, but is very visible in all but direct daylight, and viewable from off angles without the colors inverting.

What did Panasonic get right with the LX7 update?

- The redesigned lens is noteworthy. It's a definite improvement over the LX5 for indoor shooting, and that extends through the entire zoom range (still only 90mm, which was an improvement over the LX3). I find that I take the vast majority of my photos on the wide end of this lens, but in low light settings, I've been forced to if I'm trying to avoid using the flash. With the lens redesign, I've got a little more flexibility in my zoom before resorting to higher ISOs.
- IC? Firmware? Who knows! The camera is snappier than its predecessor, in all aspects: start up, menu navigation, auto focus delay, and shot to shot. It gets shots off near instantaneously. And the kicker is a burst mode!
- I can't say I was disappointed by the 720p video of the LX5, but full HD video is a treat -- especially with memory prices as cheap as they are compared to two years ago.
- Finally, a dedicated white balance button on the 4-way controller! (Panasonic eliminated the "Focus" key featured on the LX5, and also added burst mode selection to the shutter self timer key.)
- I'm very excited about the inclusion of a time lapse feature. This was overdue.
- The clickable, dedicated aperture ring, especially, and the manual focus lever, sort of (light applause -- needs something more "ring like")
- The mode wheel is substantially firmer, preventing inadvertent turns while in the pocket.

Some random thoughts on the Sony RX100: It feels a little "rough" at startup (i.e. not-so-smooth lens extension, kind of rough feel & sound), and starts up about a second slower than the Panasonic, but not having to remove a lens cap negates that. Zoom time from full wide to full tele is about one second snappier on the Sony. I felt that the Sony's auto white balance "got it right" more often than the LX, but the custom white balance is at minimum one level deep into the menu (if set to the Fn key). Shutdown immediately after snapping a pic is an agonizingly slow 5-6 seconds for full lens retraction; 3-4 seconds if the camera is already at idle. And not so much a dig at Sony as a kudos to Panasonic, but with the 28mm constraint on the wide end, switching from 4:3 to 16:9 simply crops the top and bottom of the frame, whereas on all the LX cameras with their unique sensor usage, I actually gain extra pixels on the sensor to help compose the shot I want.

Panasonic's history of product support HAS to be a consideration. They released mid-cycle firmware updates for both the LX3 and the LX5, and with the unexpected LX3 update in particular, added new features -- not just bug fixes. (Wish I could say the same about the FX50, but that's a story for another day...)

I wouldn't be so bold as to recommend the LX7 over the RX100, but only want to give a little insight via some of the features I hold in high regard. They both definitely have their strong suits. If you're at all familiar with the previous LX cameras, you have a solid basis for understanding the LX7 improvements, as well as its shortcomings. That certainly didn't stop me from happily purchasing the RX100 before giving the LX7 a chance to hit the streets, but by doing so I immediately proved to myself that there is still no "perfect camera," and with the compromises that I had to accept, my preferences fell mainly back to the LX line.

66 of 71 people found the following review helpful.
5Excellent Every-Day-Carry Camera, Great Indoors in Natural Light, Prefered over RX100, LX100, LS100, GM1 for EDC
By Robbster
Initial impression is excellent. My context is that this is the first camera I've purchased for personal use since the Panasonic GM1, which is a m4/3 interchangeable lens camera with a very compact body, so that is my main point of comparison. I also had a original Sony RX100, but it was lost at a conference, so needed a small every day carry camera. I do more indoor natural light shots than out, and pretty much never use a flash, so that frames my needs a bit. Based on early results, the LX10 is a great replacement for the RX100 and beats the GM1 as a travel/EDC camera. Key findings so far:

*The lens on the LX10 beats the larger m4/3 sensor + stock lens on the GM1 for everyday indoor photography. To compare, I did a quick set of shots on P(rogram) setting on both cameras in a unevenly lit room at night, just to see what the P algorithms produced when left to their own devices. The GM1 was equipped with the very nice compact zoom kit lens, 12-32mm f3.5-5.6 max aperture. P sets shutter speed, aperture, and ISO automatically. Both cameras took the shot at 1/60th s with their lenses wide open, but the ISO on the LX10 was 640 while the ISO on the GM1 was 3200. Totally to be expected given the much slower f3.5 vs. f1.4, but cameras are systems, not individual components, and the 3200 ISO on the GM1 really increased the noise, lowered the detail and hurt the color fidelity much more than in the shot from the LX10. Now, of course, I could have put a fast lens on the GM1, I certainly own plenty of m4/3 lenses including fast primes, BUT, that's the point, really, that the very fast lens on the LX10 opens up a much wider operating window compared to the kit GM1, and to match it, I'd have to give up the zoom and use a fast prime, again lowering the versatility and speed of operation for my kind of indoor/low light shooting, so that is worth something to me.

Other quick points:

Size - the retractable lens on the LX10 makes it much easier to pocket and carry the LX10 vs. the GM1, even though the body of the GM1 is a bit smaller, due to the added depth from the 12-32mm lens.
Speed of operation - the 12-32mm lens on the GM1 must be manually extended before taking the first shot, making it much tougher to capture fleeting scenes.
4K video - Not an option on the GM1. Not that I need it much just yet, but looking forward to that move in the not too distant future. I did test the 4K video on the highest data rate setting, and was able to capture and playback just fine from my very recent PNY UHS1/U3 card PNY Elite Performance 128 GB High Speed SDXC Class 10 UHS-I, U3 up to 95 MB/Sec Flash Card (P-SDX128U395-GE). I panned an indoor scene and watched the focus adjust, and, after one big focus hunt right at the beginning, the LX10 did a very nice job, pulling from 10ft focus to less than a foot at the end of the pan, and stopping right on focus of the close object without hunting. Pretty impressive.

Other points of comparison:
*LX100. I briefly owned and returned the LX100 before buying the LX10 as it was just too big for the every day carry role. Further, the effective resolution due to sensor crop on the LX100 was a disappointment in the few test images I took, and the default JPEG settings left me flat, which surprised me given my preference for Pany standard JPEGs.
*LS100. Own this camera for work, and the 10x zoom is really handy, but the slower lens shows indoors, even wide open.

There are many more features to test and that will be fun, but, net, for me, the LX10 is the better choice, given priority for indoor or low light outdoor shots. I'll continue to use my GM1 and Olympus EM5 m4/3 cameras with appropriate lenses for the more challenging shots (e.g., the 2015 All Star Game, where 300mm zoom was essential paired with the EM5), or the LS100 where I need quick access to more zoom range outdoors, but the LX10 is now my EDC camera, especially when I know I'll want a mix of indoor + outdoor, or just indoor. Highly recommended if your priorities are similar.

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