Canon EOS 5D Mark II Full Frame DSLR Camera (Body Only) (OLD MODEL)

Canon EOS 5D Mark II Full Frame DSLR Camera (Body Only) (OLD MODEL)
From Canon


81 new or used available from $703.09

Average customer review:
(4.5 stars, based on 488 reviews)

Product Details

  • Sales Rank: #2686 in Camera & Photo
  • Size: full-size
  • Color: Black
  • Brand: Canon
  • Model: 2764B003
  • Dimensions: 4.49" h x 2.95" w x 5.98" l, 1.87 pounds

Features

  • 21.1-megapixel full-frame CMOS sensor, 14-bit A/D conversion, wide range ISO setting 100-6400
  • Body only, lenses sold separately,1-Year Canon U.S.A. Limited Warranty
  • DIGIC 4 Image Processor; high-performance 3.9 fps continuous shooting; Live View Function for stills
  • Full HD video capture at 1920x1080 resolution for up to 4GB per clip ; HDMI output
  • Updated EOS Integrated Cleaning System specifically designed to work with a full-frame sensor

The integration of HD movie capability into a high-end 21.1-megapixel camera opens a multitude of new possibilities for photojournalists and news photographers. With its full-frame CMOS sensor and outstanding ISO performance, the EOS 5D Mark II will appeal to any photographer in search of the finest camera equipment available -- from studio and wedding to nature and travel photographers.Compact, lightweight with environmental protection, EOS 5D successor boasts a newly designed Canon CMOS sensor, with ISO sensitivity up to 25,600 for shooting in near dark conditions. The new DIGIC 4 processor combines with the improved CMOS sensor to deliver medium format territory image quality at 3.9 frames per second, for up to 310 frames.

From the Manufacturer

Compact, lightweight with environmental protection, EOS 5D successor boasts a newly designed Canon CMOS sensor, with ISO sensitivity up to 25,600 for shooting in near dark conditions. The new DIGIC 4 processor combines with the improved CMOS sensor to deliver medium format territory image quality at 3.9 frames per second, for up to 310 frames.

Triggered from Live View Mode, HD video capture allows users to shoot uninterrupted at full 1080 resolution at 30fps -- for amazing quality footage with outstanding levels of detail and realism.

The integration of HD movie capability into a high-end 21.1-megapixel camera opens a multitude of new possibilities for photojournalists and news photographers. With its full-frame CMOS sensor and outstanding ISO performance, the EOS 5D Mark II will appeal to any photographer in search of the finest camera equipment available -- from studio and wedding to nature and travel photographers.

Other improvements to the EOS 5D include:

  • Addition of Canon’s EOS Integrated Cleaning System, with a new Fluorine coating on the low-pass filter
  • Larger 3.0-inch Clear View LCD with VGA resolution, a 170-degree angle of view and anti-reflective coatings
  • Improved menu system including Quick Control Screen for more direct access to common settings
  • Automatic peripheral illumination correction, utilizing detailed EF lens information to optimize JPEG images straight out of the camera
  • Magnesium alloy construction with additional environmental protection
  • UDMA memory card compatibility
EOS 5D Mark II Highlights

New CMOS sensor
The EOS 5D Mark II’s newly designed full-frame 21.1-megapixel CMOS sensor features ISO sensitivity from 100-6400, expandable to 50, 12,800 and 25,600. Large 6.4µm2 pixels have been redesigned to capture more light and yield a better signal to noise ratio to ensure lower noise images throughout the ISO range. The full frame sensor has the same dimensions as a frame of 35mm film. This means that wide-angle lenses stay wide, without the change in angle of view associated with smaller sensor cameras. As well as benefiting from finer control over depth of field, photographers moving up to the EOS 5D Mark II’s full frame format will find the newly designed wide, bright 98 percent coverage viewfinder on a joy to work with.

New DIGIC 4 processor
A new DIGIC 4 processor combined with 14-bit analogue to digital conversion provides smooth gradations in mono-tonal areas such as skies, and highly accurate color rendition. As well as HD movie shooting, DIGIC 4’s high speed provides for long uninterrupted continuous bursts of large JPEGs, near-instant start-up times and immediate and fast review after shooting. DIGIC 4 also provides for improved noise reduction algorithms, complementing the already low-noise images from the EOS 5D Mark II’s CMOS sensor.

HD video capture
The EOS 5D Mark II is Canon’s first DSLR to incorporate full HD 1920x1080 video capture. Once filming is started from Live View mode, photographers can fire off either single of continuous stills, with video capture continuing after the final frame is captured.

See everything
A new 3.0-inch VGA resolution LCD provides a wide 170 degree angle-of-view, providing plenty of clarity for accurate focus checks in playback. The screen brightness can automatically adjust to suit viewing conditions, extending battery life in low light and improving viewing in bright conditions. A new dedicated Live View button switches modes to display a real-time image on the LCD. This allows EOS 5D Mark II photographers to enjoy simplified shooting from awkward angles. Simple connection to a PC provides easy remote shooting.

Precision focus and metering
A 9-point auto focus system is supported by 6 additional invisible Assist AF points, located inside the spot-metering circle to optimise subject tracking performance in AI SERVO AF mode. For accurate exposure readings in tricky lighting conditions, the spot metering circle covers just 3.5 percent of the frame.

Control
The EOS 5D Mark II’s redesigned menu system includes a new Quick Control screen, for instant access to the most commonly changed settings. A new Creative Auto mode allows photographers to cede control of key settings to the camera, while retaining control over creative variables such background blur, drive mode and image brightness. Custom user settings allow photographers to switch between two completely different camera setups. This is ideal for changing quickly between two different environments, such as switching from working inside a church without flash to outdoors with fill-flash at a wedding.

Optional Accessories
Shooting flexibility is enhanced with a range of new accessories. Shooting capacity can be extended with either the high-capacity 1800mAh lithium-ion Battery Pack LP-E6, or Battery Grip BG-E6.

A new optional Wireless File Transmitter
The WFT-E4 offers external HDD and GPS compatibility along with ability to transmit images direct to computer or FTP server, or operate the camera wirelessly. Both the BG-E6 and WFT-E4 feature a vertical orientation shutter release and other key controls for comfortable portraiture work, with a substantial grip to help balance the camera when used with long lenses.

What's in the Box
  • EOS 5D Mark II Body
  • Eyecup Eb
  • Wide Neck Strap EW-EOS5DMKII
  • Stereo Video Cable STV-250N
  • USB Interface Cable IFC-200U
  • Battery Charger LC-E6
  • Battery Pack LP-E6
  • EOS Digital Solution Disk
  • Software Instruction Manual

Review from dpreview.com

An in-depth review from the DPReview.com staff Learn more about this camera
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Canon EOS 5D Mark II Digital SLR: Highly Recommended by dpreview.com

Back in August 2005 Canon 'defined a new DSLR category' (their words) with the EOS 5D. Unlike any previous 'full frame' sensor camera, the 5D was the first with a compact body (i.e. not having an integral vertical grip) and has since then proved to be very popular, perhaps because if you wanted a full frame DSLR to use with your Canon lenses and you didn't want the chunky EOS-1D style body then the EOS 5D has been your only choice. Three years on and two competitors have turned up in the shape of the Nikon D700 and Sony DSLR-A900, and Canon clearly believes it's time for a refresh.

So here is the 5D Mark II, which punches high in terms of both resolution and features, headlining: 21 megapixels, 1080p video, 3.0-inch VGA LCD, Live view, higher capacity battery. In other words, a camera that aims to leapfrog both its direct rivals, either in terms of resolution (in the case of the D700) or features (in the case of the DSLR-A900). Full detail below.

Key features / improvements
  • 21 megapixel CMOS sensor (very similar to the sensor in the EOS-1Ds Mark III)
  • Sensor dust reduction by vibration of filter
  • ISO 100 - 6400 calibrated range, ISO 50 - 25600 expansion (1Ds Mark III & 5D max ISO 3200)
  • Auto ISO (100 - 3200) in all modes except manual
  • 3.9 frames per second continuous shooting
  • DIGIC 4 processor, new menus / interface as per the EOS 50D
  • Image processing features: Highlight tone priority, Auto lighting optimizer (4 levels), High ISO noise reduction (4 levels), Lens peripheral illumination correction (vignetting correction)
  • RAW and SRAW1 (10 MP) / SRAW2 (5 MP)
  • RAW / JPEG selection made separately
  • Permanent display of ISO on both top plate and viewfinder displays
  • AF micro adjustment (up to 20 lenses individually)
  • Three custom modes on command dial, Creative Auto mode
  • Image copyright metadata support
  • 98% coverage viewfinder (0.71x magnification)
  • 3.0" 920,000 dot LCD monitor with 'Clear View' cover / coatings, 170° viewing angle
  • Automatic LCD brightness adjustment (ambient light sensor)
  • Live view with three mode auto-focus (including face detection)
  • No mirror-flip for exposures in Live View if contrast detect AF selected
  • Movie recording in live view (1080p H.264 up to 12 minutes, VGA H.264 up to 24 mins per clip)
  • Two mode silent shooting (in live view)
  • New jump options in play mode
  • HDMI and standard composite (AV) video out
  • Full audio support: built-in mic and speaker, mic-in socket, audio-out over AV (although not HDMI)
  • IrPort (supports IR remote shutter release using optional RC1 / RC5 controllers)
  • UDMA CompactFlash support
  • New 1800 mAh battery with improved battery information / logging
  • New optional WFT-E4 WiFi / LAN / USB vertical grip
  • Water resistance: 10 mm rain in 3 minutes
>Read more at dpreview.com

Review from Wired.com

An in-depth review from Wired.com Read more digital camera reviews
at Wired.com  This link will open in a new browser window or tab.
Impressive Canon SLR Sports HD Video, 21-Megapixel Stills

Once in a great while, a sequel comes out that is so outstanding, it not only blows the original out of the water, it stands on its own as a paragon of excellence. Cases in point: The Empire Strikes Back, Terminator 2: Judgment Day, and Star Trek 2: The Wrath of Khan.

Add the Canon 5D Mark II to that list. For the better part of a year, rumors abounded about an upgrade for Canon's full-frame prosumer camera, the 5D, but nobody expected the awesome bomb that the Canon eventually dropped on us. No mere upgrade, the Canon 5D Mark II is a milestone in many ways, and it's one of the best cameras we've tested yet. It features a massive 21 megapixel sensor, full high-definition video, a giant display and much more, setting a new high-water mark for digital single-lens reflex cameras.

For starters, Canon nearly doubled the resolution of the 12 megapixel 5D. Like its predecessor, the full-frame sensor in the 5D Mark II is equal in size to a 35 mm film negative, making it much larger than the sensors used in most consumer and prosumer cameras. The size confers two advantages: It gives the camera terrific low-light sensitivity, because the sensors for each pixel are larger, enabling them to collect more photons. And it allows you to use all the lenses in Canon's EF line to their full potential , without any magnification -- an advantage especially useful for wide-angle shots. By contrast, smaller sensors effectively multiply the focal length of standard lenses, for instance converting a 28mm lens into the equivalent of a 56mm lens.

Canon also stuffed full-HD video recording into the 5D2, making it only the second SLR to record in HD (after Nikon's impressive D90) and the only one to record in full 1080p glory. You can tell Canon didn't think this feature would get much play by how deeply they buried it in the menu system. Fortunately the 5D2 also features a dedicated live-view button which pre-arms the camera for movie recording.

Photographers and indie filmmakers have been drooling over the 5D2's video quality ever since Vincent Laforet's demo movie hit the net in September. Most video cameras give a distinctly non-film look due to the poor depth of field produced by their small sensors and fixed lenses. Thanks to the full-frame sensor and Canon's high-quality lenses, the video from the 5D2 looks a lot more like movies shot on film.

The 5D2 is only slightly larger than the 5D and keeps roughly the same lines and look of its predecessor. Notable construction changes include weather-resistance and a tough-looking "parkerized" finish normally found on military firearms. The new 3-inch, 640x480-pixel display looks great even in bright light and is perfect for zooming in close to check out your shots.

The picture quality is terrific, even at ISO 1600 and 3200, but at 6400, 12800 and 25600 the resulting images are quite noisy. At ISO 100 the full-resolution shots are simply stunning.

There are a few problems with the 5D2, notably the mysterious appearance of black dots which appear when noise-reduction, light-optimizer and highlight-tone priority are all switched on. Switching these settings off fixes the problem. Since all of these features can be recreated later during processing on your computer, that's not a great loss.

The video mode is limited to 4GB per shot, which equates to 20-30 minutes of recording time. And unless you're planning on making a silent movie, plan on investing in some external microphones: the built in microphone is low-quality and monophonic, and it can pick up your lenses' autofocus noise, messing up the audio track. Thankfully the 5D2 has a stereo mic input for high-quality audio recording.

The 5D Mark II is a game-changing 21 megapixel 1080p photographer's dream. Its few flaws are greatly outweighed by amazing new features and huge sensor size.

But good luck getting one. Prompted in part by early teasers showing the stunning quality of video that the 5D Mark II is capable of producing, shutterbugs and pro photographers alike snapped up the camera as soon as it became available in early December. Unless you pre-ordered one a long time ago, you're out of luck until later in 2009.

RATING 9 out of 10

WIRED Kick-ass 21 megapixel, full-frame sensor. Full HD 1080p video. Weather-resistant enclosure. VGA resolution LCD display. Sexy parkerized finish.

TIRED Good luck getting one if you didn't pre-order. Annoying black spots with certain settings. Noisy at super-high ISO range. 4GB movie size limit.

Read more digital camera reviews at Wired.com


Customer Reviews

Most helpful customer reviews

5 of 5 people found the following review helpful.
4Canon EOS 5D mk2
By AZLee
I can't say much more than what's already been said however in my arsenal of lenses both Canon and non-Canon, I've found differences in IQ that are now noticeable whereas my 30D could not "see" any differences. Lenses are Canon EF 70-200-mm f4, Canon EF 28-135m f4-f5.6, Sigma 18-50-mm f2.8, Tokina 11-16-mm f2.8. First the Digital Tokina. As expected the vignette is bad at 11mm but at 16mm perfectly acceptable and still sharp. The Sigma is untested at the moment. The Canon EF 28-135-mm is soft at all settings and the Canon EF 70-200-mm is excellent at all zoom ranges. With a trip coming up to California and the Oregon coast I'll have the Canon EF 70-200-mm and the Tokina along and put both to the test. The Sigma I'm guessing may be fine at 50-mm as it shows some softness below f5.6 on my 30D.
I'll report back on my successes as well as the not so great successes.

Edit December, 2010 In short this is what I've found. Canon 28-135mm Not bad if PP with Photoshop USM and masking in camera raw CS5. Canon 70-200mm still my best lens. Sigma 18-50mm not usable, serious vignette over full range and not used on the trip. Tokina 11-16mm usable at 16mm only with a lot of edge CA and distortion.

Edit July 2013:
I've caved and purchased a Canon 24-105mm f4L, what a difference from my old 28-135mm. It's now my carry around lens with amazing sharpness compared to my 28-135. Should have done this long ago.

19 of 20 people found the following review helpful.
5Review from an enthusiast
By TYZ
I am an enthusiast photographer. I understand the relationship between aperture, shutter and ISO; I understand the basics of composition, rules of thirds and all that; watches youtube constantly and try to learn more; and I process my RAW in Lightroom because I am not a professional and just a bit lazy to learn layers and Photoshop.

I am budget conscious, not rich or anything. Therefore it is a bit hard for me to justify buying over 3000 dollars of equipment for mainly weekend and vacation shooting. I've used it for almost 2 weeks and I would say overall I don't regret buying it. I will list some pros and cons from my perspective.

Pros:

A lot of detail is available from the RAW files. A bit of brushing and those blown out while sky comes back to life easily. Just tweaking with LR, I can get those HDR looking photos where everywhere is exposed without doing bracketing. Its not perfect HDR of course, but pretty good and amazing in my opinion. And of course, the details in the images are very crisp, a big upgrade from my old camera.

The rate of 3.9 is pretty good in my opinion. I use a 600x card and shoot RAW only; the camera shows 13 shots continuously at that rate before clogging, which is pretty good.

The weight of the camera makes shooting at slower shutter speed easier. When I was hand holding my old camera(I rather not say model), I usually have bluish image at 1/15, but this one seems to do it pretty well. Some people probably can hand hold 1/15 easily with any camera, but this is just something I noticed. I think the extra weight gave me this extra stability or maybe there is something going on inside.

Knowing that this is a Full Frame camera with the ability to capture pretty much the best quality images is satisfying. I travel whenever my finance allow, and some of the destinations I probably will never go again or just simply change from time to time. Therefore the biggest justification for myself buying this camera is to be able to capture images without later regrets. Before, I had images with the sky fully blown out or the face of my subject poorly lit and by recovering from LR, I just loose a lot of detail and make everything look unpleasant. Professionals probably can shoot better I know, but I am not pro and the comfort of not paying so much for my mistakes and no regrets is the main reason I am happy with my decision.

now onto the Cons:

Like everyone said, the focus is the downside of 5DII. Maybe I am overshadowed by all the other reviews; but from what I feel, I just think its a bit slow, more noticeable during darker situations. I have not used a lot of cameras so maybe I am just nit-picking. When I mount the 50mm 1.4 on the 5DII, the focus is a bit slow, and also the minimal focus distance for the 50mm 1.4 is quiet long at 0.45m. I was inside a museum, and sometimes I'm just too close to the subject, or sometimes its just too dark, so the focusing seems to be confused once in awhile. I don't have anything technical to back this up, just my feeling. The lack of focus point don't bother me at all since I only use the central one and rarely shoot birds or sports. Its not a problem when I'm outside, I hardly notice it, but when I do, it bothers me.

The weight adds stability while shooting, but is definitely not good for walking. Having this magnesium alloy brick hanging on my neck without support is not pleasant.

Shutter is a bit loud and lower pitch. I think each and everyone have a different preference for shutter sound. I actually like the sound of short higher pitch, for example the Rebels.

Vignette and Light fall off. Coming from a cropped, the vignetting and light falls off at the corners is much more noticeable. I know different lens behaves differently, but this is definitely more noticeable.

Build-in Mic is nearly useless during recording. It is very noisy. Even if you want to record something simple, the quality of sound coming out of the mic makes me mute it all together.

The large megapixel makes my Lightroom 4.1 a lot slower. I have an Acer Laptop, i5-2410, 8GB Ram, Nvidia Geforce GT540M laptop. No SSD, just regular 640GB, 5400RPM Hard drive. The laptop is not something blazing fast, but I had no problem with 10 Megapixel RAW files. Now the full 21 Megapixel RAW files from 5DII are making my LR a lot slower. I already rooted my comp to clean out the bloatwares and tried to render 1:1 when importing and all the other tweaks I can find on the internet but it is still quiet slow. It is noticeably slow while editing (applying different presets and brushing) and slow when exporting. Its not anything bad for the camera, but something every buyer should consider, as I am now planning to dropping more money to buy a better desktop.

Recommendations:

I think for those non-professionals, this is probably the best pick for the money. The new 5DIII is obviously better, but the price is a big factor for me. For people who have the money, buy it; but I don't, so I rather save that extra dollars and spend it on a vacation. The focus is good enough in my opinion, probably because I don't shoot sports or things that are moving like crazy. All the other nitpicks such as power switch position, dop preview position, slow rate are completely irrelevant in my opinion. 5DII is a solid camera, and I think its best buy for the money since the ability to produce good image is the most important factor.

For those who wants to buy a full frame, I would say make sure you know why you want to buy it. The desire of getting better gear is always with us, and I recommend for anyone buying anything really, make sure you justify your purchase. Please don't buy a good camera like this and simply put it away in your closet after the first few month. It pains budget conscious people like me who have invested so much time to find the best pick. If you have the extra cash, knows that photography requires lots of hard work, and want to advance in photography, I would say its worth it.

2 of 2 people found the following review helpful.
5All you see are Nikon fanboys here
By V.D.M.
Look at most of the 3, 2 and 1 star reviews; they all mention Nikon in one way or another. I wonder if they even tried this camera or are standing by and hugging and kissing and sleeping next to their D90 and D3s's and lowering the rating for this beautiful beast. (Note: I am not being biased. I think Nikon makes really wonderful cameras too, though I prefer Canon.)

First off, this camera is FAST. It isn't as fast as one of the $5000 professional 1D series cameras, but for half the price, what can you expect? The Mark II is a semi-pro camera that will make an amateur feel like a pro. This camera is fantastic! It's amazingly fast, the ISO performance is staggering, and the full-frame sensor and all 21.1 megapixels of beauty are all you really need to fall in love with this thing over and over again. It pays for itself. There is no price on the shot; if you are debating whether to get this camera or not, I say YES! If you are upgrading from a 5D Mark I, should you upgrade? YES! Are you debating between the 7D and the 5D Mark II? I say to test them both out and see if you prefer the cropped sensor or the full-frame (for me, the full-frame Mark II cannot be beat, though the 7D is also a very nice camera.)

Bottom line: just get it.

See all 488 customer reviews...