Canon EOS 5D Mark IV Full Frame Digital SLR Camera Body

Canon EOS 5D Mark IV Full Frame Digital SLR Camera Body
From Canon

List Price: $3,499.00
Price: $3,299.00 Details

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Average customer review:
(4.5 stars, based on 117 reviews)

Product Details

  • Sales Rank: #308 in Camera & Photo
  • Color: Black
  • Brand: Canon
  • Model: 1483C002
  • Released on: 2016-09-08
  • Fabric type: NA
  • Aspect ratio: Unknown
  • Number of items: 1
  • Dimensions: 4.60" h x 5.90" w x 3.00" l, 1.76 pounds
  • Battery type: Lithium Ion
  • Display size: 3.2


  • 30.4 MP full-frame CMOS sensor for versatile shooting
  • Up to 7.0 frames per second continuous shooting speed
  • 61-point AF system with 41 cross-points for expanded vertical coverage
  • ISO range 100-32000 with 50-102400 expansion
  • 4K video recording at 30p or 24p and in-camera still frame grab of 8.8MP images
  • Touch-screen LCD monitor

The EOS 5D Mark IV camera builds on the powerful legacy of the 5D series, offering amazing refinements in image quality, performance and versatility. Canon’s commitment to imaging excellence is the soul of the EOS 5D Mark IV. Wedding and portrait photographers, nature and landscape shooters, as well as creative videographers will appreciate the brilliance and power that the EOS 5D Mark IV delivers.

From the Manufacturer

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EOS 5D Mark IV

The EOS 5D Mark IV camera builds on the powerful legacy of the 5D series, offering amazing refinements in image quality, performance and versatility. Canon’s commitment to imaging excellence is the soul of the EOS 5D Mark IV. Wedding and portrait photographers, nature and landscape shooters, as well as creative videographers will appreciate the brilliance and power that the EOS 5D Mark IV delivers. Superb image quality is achieved with Canon’s all-new 30.4 Megapixel full-frame sensor, and highly-detailed 4K video is captured with ease. Focus accuracy has been improved with a refined 61-point AF system and Canon’s revolutionary Dual Pixel CMOS AF for quick, smooth AF for both video and Live View shooting. Fast operation is enhanced with Canon’s DIGIC 6+ Image Processor, which provides continuous shooting at up to 7.0 fps*. Built-in Wi-Fi**, GPS*** and an easy-to-navigate touch-panel LCD allow the camera to become an extension of you. When quality matters, the EOS 5D Mark IV helps deliver results to inspire even the most discerning imagemaker.

* Continuous shooting speed may vary depending on the shutter speed, the aperture, the lens being used, the battery charge and various camera settings.

** Compatible with iOS versions 8.0/8.1/8.2/8.3/8.4/9.0/9.1/9.2/9.3, Android™Â smartphone and tablet versions 4.1/4.2/4.3/4.4/5.0/5.1/6.0. Data charges may apply with the download of the free Canon Camera Connect app. This app helps enable you to upload images to social media services. Please note that image files may contain personally identifiable information that may implicate privacy laws. Canon disclaims and has no responsibility for your use of such images. Canon does not obtain, collect or use such images or any information included in such images through this app.

*** In certain countries and regions, the use of GPS may be restricted. Therefore be sure to use GPS in accordance with the laws and regulations of your country or region. Be particularly careful when traveling outside your home country. As a signal is received from GPS satellites, take sufficient measures when using in locations where the use of electronics is regulated.

New 30.4 Megapixel full-frame CMOS sensor for versatile shooting in nearly any light, with ISO range 100–32000; expandable up to 50–102400 (equivalent ISO).

EOS 5D Mark IV
30.4 Megapixel Full-frame CMOS Sensor

The EOS 5D Mark IV camera boasts a full-frame, high-speed CMOS sensor that’s ideal for a broad range of applications with its remarkable high-resolution abilities. Measuring approximately 36.0mm x 24.0mm, the same size and ratio as a 35mm film frame, it records 30.4 effective Megapixels at normal ISOs of up to 32000. It also captures incredible still and 4K video clips suitable for significant post-processing, retouching and cropping. Versatile in virtually all kinds of light and any shooting situation from print and wedding to full-bleed magazine spreads and other commercial or fine art use, the EOS 5D Mark IV consistently produces high-resolution 4K video and image files that are easily compatible with any number of diverse workflows.

EOS 5D Mark IV

ISO 100–32000 (expandable to 50–102400)

Featuring an ISO range of 100–32000 (expandable to 50–102400), the EOS 5D Mark IV camera is incredibly well-suited for low-light photography. Its sensor has an improved S/N ratio plus an improved noise-processing algorithm to help deliver high-level light sensitivity along with its high resolution, with virtually no compromise in image quality. Whether working in a dimly lit auditorium, trying to capture the action at night, photographing at the fastest possible shutter speed or simply suppressing camera shake blur, the EOS 5D Mark IV has an extended ISO range that contributes to its ability to excel in nearly every situation it faces.

4K Motion JPEG video (DCI cinema-type 4096 x 2160) at 30p or 24p; in-camera still frame grab* of 4K 8.8-Megapixel images; multiple video options include Full HD up to 60p, and HD up to 120p.

The EOS 5D Mark IV is a remarkably capable video camera. Thanks to its impressive CMOS sensor and its high-speed DIGIC 6+ Image Processor, it can transition from taking still photographs to shooting videos in a near instant, capturing Digital Cinema (DCI) standard 4K (Motion JPEG) videos of 4096 x 2160 pixels at up to 30 or 24 fps. Adding to its versatility, it also supports the 4K broadcasting standard of 3840 x 2160 pixels with slight trimming on the left and right sides. Featuring advanced Live View operation and brilliantly responsive Dual Pixel CMOS AF, the EOS 5D Mark IV has a touch panel display with focus points that can easily be selected during operation, and quickly confirmed by selecting and saving an 8.8-Megapixel image with in-camera 4K still frame grab*. Along with capturing beautiful 4K videos, the EOS 5D Mark IV is equally able to shoot Full HD video at up to 60p plus HD at frame rates as high as 120p, ideal for smooth slow-motion video. It also supports both MOV and MP4 formats for a variety of applications right out of the camera.

Video Recording Size and Format

Video Recording Size Frame Rate Video Recording Method/
Compression Method
MOV 4K 4096 x 2160 29.97 fps Motion JPEG
24.00 fps
23.98 fps
Full HD 1920 x 1080 59.94 fps ALL-I
29.97 fps ALL-I
24.00 fps ALL-I
23.98 fps ALL-I
HD 1280 x 720 119.9 fps ALL-I
MP4 Full HD 1920 x 1080 59.94 fps IPB
29.97 fps IPB
IPB (Light)
24.00 fps IPB
23.98 fps IPB

* Saving a still image from a single movie frame may not result in the same image quality as a normal still image.

Superb Dual Pixel CMOS AF for responsive and smooth AF during video or Live View shooting; LCD monitor has full touch-screen interface, including selection of AF area.

EOS 5D Mark IV
Dual Pixel CMOS AF

Adding to its powerful and portable design, the EOS 5D Mark IV camera utilizes Canon’s smooth, fast and intelligent Dual Pixel CMOS AF. Featuring two photodiodes per pixel and each pixel capable of phase-difference detection autofocus, the CMOS sensor can deliver fast and accurate AF throughout approximately 80% of the image plane. Able to detect shifts in movement at the pixel level, Dual Pixel CMOS AF enables continuous automatic AF and AF tracking that enhances overall camera operation for sharp still images and smooth, accurate focus transitions in movies. Working with the EOS 5D Mark IV’s 3.2" touch panel LCD screen, Dual Pixel CMOS AF lets photographers select focus points throughout the frame with the touch of a finger, and confirm focus by zooming in on the image or enlarging stills grabbed from video recordings.

3.2" Touch Panel LCD

The EOS 5D Mark IV camera features a 1.62 million dot, low-reflection 3.2-inch Clear View LCD II monitor for bright, sharp display in a wide variety of shooting situations. The LCD’s touch panel surface facilitates fast, intuitive operation, including AF frame switching, menu and setting changes plus image magnification during Live View shooting and movie shooting. Still photographs can also be captured quickly with the touch panel’s shutter release function. A customizable Quick Control screen adds flexibility and convenience for specific users’ preferences. Image review and playback are also enhanced with the EOS 5D Mark IV camera’s Clear View LCD II Monitor. Not only does the EOS 5D Mark IV’s LCD provide a high-precision image for composition and playback, but it also remains visible even when the photographer is wearing polarized sunglasses! In numerous situations in the studio and in the field, the EOS 5D Mark IV’s LCD panel is an ideal complement to its amazing TTL viewfinder.

Excellent performance – up to 7.0 fps** continuous shooting speed with high-performance DIGIC 6+ Image Processor for improved speed and excellent image quality.

EOS 5D Mark IV
Up to 7.0 fps** Continuous Shooting

The EOS 5D Mark IV camera is designed to keep up with the action. Its remarkable shutter, advanced AF and exposure and image processing systems help ensure virtually instantaneous response and performance at up to 7.0 fps**, even at full resolution. Whether searching for a joyous expression on a bride’s face or capturing an athlete in action, the EOS 5D Mark IV doesn’t let file size compromise the speed of capture even when bracketing exposures of a complex lighting situation, helping photographers and moviemakers attain consistently high performance in many situations.

** Continuous shooting speed may vary depending on the shutter speed, the aperture, the lens being used, the battery charge and various camera settings.

DIGIC 6+ Image Processor

The powerful DIGIC 6+ Image Processor increases the EOS 5D Mark IV camera’s in-camera capabilities, enabling fast operation across the board and helping to ensure that high-quality still image and 4K video recording is achieved no matter the shooting environment. It has a noise-processing algorithm that helps reduce noise at high ISO settings, and features a Digital Lens Optimizer that can automatically apply a variety of aberration and diffraction corrections as well as other corrective measures specific to the lens in use. The EOS 5D Mark IV’s power to perform numerous operations with ease is made possible in large part thanks to the amazing DIGIC 6+ Image Processor.

61 AF points with expanded vertical coverage with 41 cross-points, and AF possible at all 61 AF points with many lens + extender combinations effective at f/8.

EOS 5D Mark IV

To complement its stellar CMOS sensor and powerful processing abilities, the EOS 5D Mark IV camera incorporates a 61-point High Density Reticular AF II system. It features up to 41 cross-type points and an extensive AF area that extends well into the top and bottom of the peripheral frame. It also has a wide subject tracking area that enhances the AF system with consistent focus tracking to capture the action at hand and includes Canon’s AI Servo AF III, which remembers the AF path and helps refine precision shot-to-shot. Low-light performance is phenomenal – the AF system’s low-intensity limit is EV -3 at the center AF point and all 61 AF points are compatible down to f/8 for excellent low-light performance, even with lens extenders attached. To help ensure that AF points and other shooting information are visible at a glance, the EOS 5D Mark IV also features Canon’s Intelligent Viewfinder II for a bright, customizable view. Whether choosing individual AF points manually or using one of the camera’s automatic AF selection modes, the EOS 5D Mark IV’s AF system is a significant part of its overall excellence.

150,000-pixel RGB+IR metering sensor helps provide precise exposure metering, helps detect flickering lights and allows for enhanced scene recognition and face detection capabilities.

To help deliver nearly fool-proof performance, the EOS 5D Mark IV camera employs a powerful and instant subject and light analysis system. The iSA Intelligent Scene Analysis system uses its own RGB+IR light sensor with an approximately 150,000-pixel resolution to provide the camera with immense image analysis in an instant, making necessary corrections along the way. The sensor enables Canon’s anti-flicker function, which detects the frequency and phase of a light source’s flicker (such as a fluorescent light) and captures images near the point of peak brightness when the subject is most likely to be well-illuminated. The EOS 5D Mark IV also incorporates Canon’s Intelligent Tracking and Recognition system (iTR AF) that detects and tracks subjects, automatically switching the AF point to optimize tracking. Using tracking algorithms tailored to recognize faces and colors, this system not only helps to quickly and automatically select the ideal capture settings, but also serves as a brilliant foundation to the EOS 5D Mark IV’s AF system.

Dual Pixel RAW***, in-camera Digital Lens Optimizer during JPEG shooting and Diffraction Correction technologies.

The EOS 5D Mark IV camera is equipped with a number of advanced features designed to combat image degradation from lens aberration, focus and other characteristics that can adversely affect the quality of the final image. The EOS 5D Mark IV’s Dual Pixel CMOS AF system enables capture of Dual Pixel Raw (DPRAW) files***. Images shot as DPRAWs have additional adjustment possibilities when processed with Canon’s Digital Photo Professional image processing software, which enables pixel-level adjustment and refinement for still photographs and includes Image Micro-adjustment to help maximize sharpness in detail areas, Bokeh Shift for more pleasing soft focus areas and Ghosting Reduction to help reduce aberrations and flare. The EOS 5D Mark IV camera is also equipped with a number of in-camera optical correction functions previously available only using Digital Photo Professional. It comes preloaded with aberration data particular to specific lenses, helping to eliminate the need to register lens data on previously released lenses and correcting images with virtually no delay in-camera. The EOS 5D Mark IV not only fixes peripheral brightness and chromatic aberration, but also features distortion correction and diffraction correction. Distortion correction helps resolve barrel and pincushion distortions, while diffraction correction helps to eliminate the blurring effects from diffraction that can be created when capturing an image at a small aperture. The EOS 5D Mark IV’s in-camera Digital Lens Optimizer works with the camera’s DIGIC 6+ Image Processor to help ensure these corrections can be made with virtually no effect on operational speed, even when shooting numerous successions of JPEG images, speeding up the photographer’s workflow and delivering gorgeous images right from the camera.

*** When lens diaphragm setting is fully open, adjustment volume and compensation effect are emphasized. Sufficient adjustment volume and compensation effect may not be achieved, depending on lens in use and shooting conditions. Adjustment volume and compensation effect vary depending on camera position (landscape or portrait).

Built-in Wi-Fi^ and NFC^^ connectivity provide easy sharing to compatible smart devices, select social media sites and the Canon Connect Station CS100 device.

Built-in Wi-Fi Technology

For a useful and quick workflow in a variety of locations, the EOS 5D Mark IV camera’s built-in Wi-Fi^ feature can help streamline camera operations across the board. Using the free Canon Camera Connect app^ on a compatible iOS or Android™ device, the EOS 5D Mark IV can easily be set up to shoot remotely from a distance, even in Live View mode, with complete control of settings such as aperture, shutter speed, ISO, focus and shutter release. Image review and transfer are similarly fast and easy without ever having to take the camera out of its bag. Full DLNA (Digital Living Network Alliance) compatibility means easy sharing between the EOS 5D Mark IV and other DLNA products, such as HDTVs and compatible smartphones. Still images can even be transferred between two wireless-enabled Canon cameras over a Local Area Network (LAN). Images and video can also be uploaded instantly to CANON iMAGE GATEWAY for easy sharing on social networking sites, and photos can even be printed on a wireless PictBridge-certified printer without the need for a PC. For more robust Wi-Fi connections, the EOS 5D Mark IV is also compatible with Canon’s optional Wireless File Transmitter WFT-E7, which supports 2.4GHz/5GHz frequency bands, multiple camera sync and can extend the EOS 5D Mark IV’s operating range up to 10 times that of the camera’s built-in Wi-Fi.

^ Compatible with iOS versions 8.0/8.1/8.2/8.3/8.4/9.0/9.1/9.2/9.3, Android™smartphone and tablet versions 4.1/4.2/4.3/4.4/5.0/5.1/6.0. Data charges may apply with the download of the free Canon Camera Connect app. This app helps enable you to upload images to social media services. Please note that image files may contain personally identifiable information that may implicate privacy laws. Canon disclaims and has no responsibility for your use of such images. Canon does not obtain, collect or use such images or any information included in such images through this app.

One-time registration is required on CANON iMAGE GATEWAY online photo album.

Built-in NFC Technology

Built-in NFC (Near Field Communication) technology helps provide the EOS 5D Mark IV camera with a virtually seamless connection to compatible Android™ devices^^. Simply tap to connect and transfer images and videos. It’s also compatible with the Canon Connect Station CS100 device, which makes it simple for photographers and moviemakers to view and organize all their photos and videos from one connected device.

^^ Compatible with Android™ smartphone and tablet versions 4.0/4.1/4.2/4.3/4.4/5.0/5.1/6.0.

Built-in GPS^^^ provides geotag information including auto time syncing with Universal Time Code (UTC) via satellites.

For news photographers capturing hundreds or even thousands of images while moving around throughout the day, landscape photographers on location and even photographers on vacation, GPS has become an indispensable part of a daily workflow. The EOS 5D Mark IV camera’s built-in GPS helps photographers and filmmakers both tag their images with critical location data, and also adjust the time and timestamp on the camera automatically. Featuring both built-in GPS^^^ and Wi-Fi^ technology, the EOS 5D Mark IV can use GPS and WFT (Wireless File Transfer) together, making it easy to upload numerous images and movies both quickly and from increasingly distant locales. Compatible with American GPS satellites, Russian GLONASS satellites and Japanese quasi-zenith satellites Michibiki, the EOS 5D Mark IV’s GPS information stays reliably accurate in many locations.

^^^ In certain countries and regions, the use of GPS may be restricted. Therefore be sure to use GPS in accordance with the laws and regulations of your country or region. Be particularly careful when traveling outside your home country. As a signal is received from GPS satellites, take sufficient measures when using in locations where the use of electronics is regulated.

^ Compatible with iOS versions 8.0/8.1/8.2/8.3/8.4/9.0/9.1/9.2/9.3, Android™ smartphone and tablet versions 4.1/4.2/4.3/4.4/5.0/5.1/6.0. Data charges may apply with the download of the free Canon Camera Connect app. This app helps enable you to upload images to social media services. Please note that image files may contain personally identifiable information that may implicate privacy laws. Canon disclaims and has no responsibility for your use of such images. Canon does not obtain, collect or use such images or any information included in such images through this app.

Customer Reviews

Most helpful customer reviews

454 of 463 people found the following review helpful.
5Meaningfully improves a great camera
By Arun
I write this review from the perspective of an advanced photographer who does the occasional video. For three and a half years, I owned and loved the 5D Mark III. The upgrade to the IV was more a personal choice, rather than from being compelled by any major limitation of the III. I've now grown familiar enough with it to write a review.

A 5DIII user or a 7DII user will find the controls very familiar; I was able for the most part to start using it without referring to the manual and all that muscle memory I'd built remained useful. As a practical matter, having the controls and even most of the customizations be similar between different Canon bodies is a great convenience if you happen to be using two different cameras during a shoot, particularly one where you don't control when the action happens. The shutter feels softer and quieter, a design carried over from the 5DS/R to reduce vibration. The viewfinder phase detect AF is everything you expect from a camera like this - I had no problems with my 24-70 II, 70-200 II, 135 or 85 1.8 at maximum apertures. After using this camera for seven months, I can say that tracking is improved over the III. The new metering sensor enables face detection and tracking through viewfinder AF. Combined with Zone AF and using a fast prime like the 135L or a zoom like the 70-200 II, it is excellent for candids and for tracking action. The 135L, in particular, is an absolute joy to use for candids. Light, fast, and precise, the effect is one of the camera virtually disappearing, leaving your eye and the unconscious reflex of your finger to capture one precious moment after another. Perhaps the biggest surprise is the touchscreen. I find myself using it more and more in preference to the joystick when navigating the menu. Dual Pixel Autofocus is as as fast as advertised - certainly as fast as viewfinder AF. What I found pleasantly surprising was that I seem to be able to get sharp shots at exposure times well over 1/focal length seconds using this method. You do have to get past the ergonomic considerations of shooting with a heavy camera held at arms length though, and it is probably better used with smaller lenses versus something like a 70-200.

In terms of image quality - you will certainly notice the extra resolution. For the times you don't need it or are not able to use it effectively, the camera helpfully offers lower resolution RAW modes. I find the 17 MPix MRAW mode is very useful for run of the mill shooting needs giving something reasonably close to the resolution of a 6D or 5D III, generally preferring to use the full resolution mode only for landscape shots using a tripod or portraits in good lighting. The camera's JPG engine is clearly improved over the 5D III. The fine detail mode is a nice addition. I gave up on shooting JPG with the III due to the soft detail and very aggressive NR even at base ISO. On the IV, you can probably shoot JPG in a fairly broad range of conditions.

The dynamic range - which was the main reason I upgraded - is certainly better than the III. The early fall morning shots I took with the camera clearly showed it capturing a greater range of tones than my old III. Shadows are much cleaner - at base ISO, the IV has less than half the read noise of the III. The complete absence of banding or pattern noise makes this an even bigger advantage, and this is easily seen and much appreciated when you work on RAW files. The camera does appear, for the most part, to be ISOless. What I mean by this is that once you know your aperture and shutter speed, you are better off shooting (in RAW) at low ISO and then boosting in post. I've taken shots at ISO 400 and boosted by 3.2 stops in Lightroom (the equivalent of ISO 3675) and get very clean images. The benefit of this is that you preserve the greater dynamic range available at low ISO versus throwing away the highlights during in camera amplification. One application I've found this useful for is when shooting in challenging and changing light conditions such as stage events. I've taken to setting my aperture and shutter speed for DOF and movement and simply shooting at low ISO, with confidence that I will not overexpose highlights, and can easily recover a 3+ stop underamplification of darker regions in post with no noise penalty. This makes me less reliant on metering accuracy gives me more time to focus on composition and timing. I do find this to be a significant advantage versus the Mark III, and one I have come to appreciate very much as I have spent more time with the camera.

At high ISOs, it is the upstream read noise of the sensor, as opposed to the noise from A/D conversion that dominates. Scaled for pixel size, the 5D IV has lower upstream read noise than the III. This lower upstream read noise of the 5D IV over the 5D Mark III does seem to translate into better high ISO performance. Overall, for the same viewing sizes, I find myself using less noise reduction at high ISO than I was used to before, and color and detail is well retained even at ISOs like 12,800. This performance suggests that the 5D Mark IV is a good camera for astrophotography, because a lower read noise should translate to better signal to noise ratio across the board, but especially importantly for the low photon flux from deep sky objects. My initial results seem to bear this out. I was pleasantly surprised at the level of color and detail captured in single, unstacked exposures of M31 which speaks to the low read noise inherent in the sensor. The lack of banding noise in the dark areas made it possible to amplify the detail captured and clean up the images much better than would have been possible in the 5D Mark III. I am really pleased with what I am seeing this camera deliver.

I decided to update the section on video based on eight months of using this camera plus recent announcements by Canon. Much has been said about the 1.74x crop factor and large file sizes for 4K video, so I won't go over that here. What I will say is that I have been able to take better 1080p videos with far less effort using the 5D IV than my old 5D Mark III. Comparing videos taken in similar lighting conditions and the same lens, the IV's videos seem to show better color rendition and highlight detail. I certainly do not mean to suggest that the III is incapable of making excellent videos - there are plenty of great videos taken using that camera that are publicly available, and Magic Lantern firmware allows shooting of RAW 24 fps 1080p video, something currently unavailable on the IV - only that for a relative novice like me, it is a lot easier to do so on the IV. I've found the autofocus and face tracking in movie mode to work very well; so long as you have a reasonable number of faces (4-5), it has no trouble locking on to a specific face, even from the side, and will easily reacquire focus after a temporary obstruction. What this means is that you can use your fast lenses, particularly those having IS, for grab and go shooting and come away with great videos; you will have no trouble using them wide open. One of the complaints I had when I initially wrote this review was the absence of C-LOG. As of July 2017, this will no longer be the case, since C-LOG will be available as a paid firmware update and is implemented for both 4K and 1080p video. This means that much more of the dynamic range of the sensor will be available for those who don't mind spending time grading and processing their videos. Yes, ideally the firmware update would have been free, but the cost does not seem exorbitant, and quite simply, I would far rather have it than not. Based on my actual experience with using the camera for video, and the recent announcement of C-LOG implementation, there simply is not a reason for me any more to dock a star here.

I will admit to being initially underwhelmed by the 5D Mark IV, initially rating it 4 stars, but that impression has undergone a radical change as I have spent more time using it. The 5D Mark III's improvements over its predecessor in the form of autofocus were almost immediately evident upon use; the 5D IV's improvements in the form of tracking, high ISO capability, dynamic range, and video features take time with the camera to manifest themselves, but are no less real and no less meaningful; they make it easier to get better images in tougher conditions than is possible with the 5D Mark III. Quite simply, the more I have pushed this camera, the more it has delivered, and the more it impresses. Even features such as WiFi and the intervalometer, which were non factors in my decision to upgrade, have proven themselves very useful. And while we can debate whether this is an evolutionary or revolutionary upgrade, that debate does not take away from the fact that this is a great camera.

Image notes: The Christmas photograph is a 3 stop push, a marked improvement in shadow recovery over the 5D Mark III. The street photograph was taken with a 35LII, and shows the level of detail that a sharp lens can deliver. The third image is a stack of 40 images of the Milky Way in the constellation of Sagittarius, showing the Triffid and Lagoon nebulae. An iOptron tracker was used. The final image is a panorama of the Milky Way over the Yosemite valley, each individual image being an untracked 20 second exposure.

Additional information: A buy/no-buy decision is yours to make; my goal was to give you enough information based on my experience so you can make an informed decision if this is the right camera for you. Nothing I've written changes the fact that the 5D III remains a very good camera, and an excellent value for your money especially if you are upgrading from crop frame or a 5D II and are on a budget. If you found this review helpful, please take a moment to indicate "Yes" so below. This assures a more representative rating for the camera and also encourages us to keep contributing.

447 of 480 people found the following review helpful.
515 Reasons to buy and 6 reasons not to buy
By Painter of Stories
The Canon 5D Mark IV is one of the most anticipated cameras. Mark III users and other camera enthusiasts are pondering if they should make the upgrade or jump ship. I purchased this camera from B&H so it won’t show that I own it and I will updated this review as I continue. Now, a bit about my background, I shoot weddings for a living after retiring from more than 40 years of running my other businesses. I have watched every Mark IV Youtube videos available before its release so that I would know exactly what to look for upon receiving the camera. Here is the good, the bad and the ugly.

Reasons to buy
1. 30.4 MP full-frame provides the ideal file size for wedding photographers who have to process thousands of photos. The image was large enough for cropping but not too large to slow down my workflow. However there is a better choice for landscape photographers, the 5DSR and Nikon D810 with higher resolution. Having a higher pixel count has many advantages and in some way allows the Mark IV to be more effective than the 7D Mark ii other than it is slower at 7fps. The Mark IV has about one stop better ISO and DR (dynamic range) performance and this means I can comfortably use ISO 1600 instead of 800 to double my shutter speed. In wildlife photography, especially birding, the crop sensor 7DM2 is extremely difficult to frame birds in flight whereas the Mark IV allows you to capture a wider image and crop later in post. Please keep in mind that you will not have the same reach with the Mark IV as the 7DM2 when cropped to the same resolution (30/1.6/1.6=11.7 MP). Of course we should always try to fill the frame by using a longer lens or best to get closer to the subject but that is not always possible.
2. Seven frames per second continuous shooting speed. Sounds like just one extra frame improvement from the Mark III but read on, the faster processor and bigger buffer are what made the difference. Buffer did not get filled up if I shot jpg but maxed out at about 40 frames with sRAW and 10fps with RAW (The claim of being able to continuously shoot 21 pure RAW pictures is untrue, at least I was able to accomplish that with the fastest memory card) and it continued to shoot at about 4fps in sRAW (appx only 25% of the Raw resolution, something I would avoid using unless I know they are going to be casually loaded on Facebook and in that case you may as well shoot jpeg, mRAW is a bit better about 57% of the RAW resolution. Even after the buffer was full, the Mark IV continuously shot at 2fps in RAW for as long as I held the shutter. Extra frame over the Mark III is nice because you may just miss that first kiss. But the frame rate is not the biggest improvement, not as important as how fast it can clear the buffer and how it allows you to operate regardless of a full buffer. For wildlife or sports the Mark IV can unload a full buffer 4 times faster than A7Rii, in about 5 seconds vs. 20 seconds. This makes it impossible to use the A7Rii for actions, especially when it drops to 0.5 fps (one frame every 2 seconds, 4 times slower than the Mark IV) after the buffer is full. I tried the A7Rii frame rate in both compressed and uncompressed modes with the same result. The conclusion is I would never use an A7Rii for birding or sports but I would gladly take the Mark IV with me anytime. These experiments were conducted with the 128mb Class 10 U3 Lexar and Transcend memory cards independently in each camera. However for pro sports shooter, I am sure the 1Dx Mark II would be a better choice as it is faster with bigger buffer.
3. Focus. This is the most important feature for my application and it is where Canon shines. It has the same 61-point AF system with 41 cross-type but with expanded vertical coverage compared to the Mark III. But I don’t see much usage for the vertical coverage, may be more horizontal coverage. In low light the mark IV focuses faster than the Mark III, Nikon D810 and Sony A7Rii with higher hit rate which is another big reason for Mark III users to upgrade. In live view, the Dual Pixel focus speed is much faster than Mark III which still uses contrast detection. This works well for photo as well as video. It is very intelligent and tracks quite well even when the subject’s face is turned away. Dual pixel is accomplished when each pixel in the sensor is split in half, capturing a left and a right image. These images are processed and compared in nanoseconds to attain focus. The Mark IV algorism is superior to just face detection. It can track object, for example it can follow the bride's shoe. However it is always going to be slower to focus than spot focus because the processor has to work continuously. Dual pixel AF comes in extremely handy and that alone is worth the upgrade. This is something the A7Rii has but the A7Sii is lacking. In live view, the focus area select is limited to 3 options instead of 7, track, spot and expanded. It can be changed with the "Q" button only in live view mode and can not be adjusted with the AF area select button. IMO, Canon's strength is on focus speed, despite of how much I like the IQ on my A7Rii, it has less focus hit rate on action shots than Mark III or IV. The Mark III and IV will continue to be the go to camera for wedding photographers.
4. ISO range 100-32000 with 50-102400 expansion. ISO noise is improved from the Mark III by about one and half stop, usable at 1600 in my opinion. I noticed there are less color noise than the Mark III and the grains are finer due to a higher resolution sensor. This is really helpful for low light shots which require a faster lens than F2.8. Even though the ISO has improved from the Mark III, a reason to buy but it still has more banding and noise than the A7Rii. The D810, A7Rii and A7Sii are still the low light monsters.
5. Touch-screen LCD monitor. Finally Canon makes it easier for us photographers and you can use both the buttons and the touch-screen simultaneously. Yes, there are certain menu that can be navigated quicker with the dials so it is brilliant you can do both. There is also a confirmation tone after you have tapped the item. The screen is higher res than Mark III and as sensitive and accurate as my iphone. Reviewing photos on camera has never been so easy. Scroll, pinch, swipe and tap, it is so fast to navigate, again a feature D810, A7Sii and A7Rii lacks. Resolution on the screen is 1,620,000 vs Nikon D810 at 1,229,000 and Mark III at 1,040,000.
6. Dual Pixel Raw. With the dual images generated from the split pixel, Canon cleverly processes them as Dual Pixel Raw allowing post micro focus adjustments. This is good to have for wedding and portrait photographers, as you can fix minor focus problem in post at appx. half inch focal range so don't expect miracles and it is a hassle to use with double the size file. Currently, Lightroom does not support this feature at the moment so the workflow is painfully slow using DPP Application. Adobe has announced that they will support Dual Pixel Raw so this is a temporary problem.
7. Weather sealing should be improved but it is hard to prove. But with Canon’s legendary quality, I believe they did borrow the technique from the 7D.
8. DR (Dynamic Range) has been greatly improved. The shadow has a lot less noise than previous models. Increase latitude to push shadow for under exposed area and the ability to retain detail over the 5D Mark III and 6D is truly incredible. Canon's claim on increase DR is 100% true, the difference is so obvious that it makes me hesitates pulling my favorite Mark III out of the bag. DR is still a bit shy from A7Rii but greatly improved from the Mark III and 6D. It can now compete with any full frame head to head. If I am buying a still camera for just the DR, the A7Rii or the Nikon D810 will be the choice but the Mark IV is just so much better in so many other arenas.
9. Wifi and GPS. Uploading photos to phone to share in social media has never been easier and I am glad Canon has finally caught up with the trend. There is a second setting in the GPS menu that let you shut down GPS when power is off. This is extremely helpful in saving power which the 7D Mark ii is lacking.
10. Improve handling. The grip is more comfortable than the Mark III. I have medium size hands, I own and tried many cameras, the Mark IV has the most comfortable grip for me. The rubber has been improved from the Mark III. It is more secure and comfortable to hold.
11. Third party gear. The popularity of the Canon lens system makes owning this camera a dream as it has created an extremely strong third party support. For example the Metabone adapter which works wonders on the Canon lenses, allowing me to share the glass and to use the Sony A7Rii as my main video camera and Canon 5D Mark IV as my still camera. The combination of these two cameras is perhaps one of the best systems to use for weddings. Despite of how much I like Nikon's IQ, I could not share its lenses with Sony to obtain auto focus with an adapter. This is the main reason I purchased this camera. I want to make it clear that I am not associated or paid by any parties for this review.
12. Canon added the extra AF area selection button which can be used for quick ISO adjustment. Under CUSTOM CONTROL on the last icon at the bottom you can set this button to adjust ISO with the front dial. This extra button makes adjusting ISO on the fly a single step process. I change ISO quite often between indoor and outdoor during the reception so this comes in quite handy. Basically Canon has added a third wheel for the ISO similar to that of the A7Rii, except it is better because my A7Rii ISO wheel often gets accidentally bumped.
13. HDR video. I can save blown out highlights shot in this mode for about 1 to 2 stops. However, it will only shoot in 30FPS at 1080P because it actually shoots in 60FPS and combine the 2 frames in HDR. This mode is not available in 4K since the limit is 30FPS.
14. Country of Origin. 5D Mark IV is made in Japan, Sony A7Rii, A7Sii and Nikon D810 are made in Thailand. This can be viewed as a bias opinion but I have always had better luck with products Made in Japan. I think, this is the main reason why Canon is more expensive with less features compared other brands. I am a heavy shooter and my 5D Mark III is 3 years old, never had a single issue and my Sony A7Rii broke twice in less than a year.
15. Multi Shot NR (Noise Reduction). In this mode the camera takes 4 quick consecutive shots and process them to reduce noise. This allows you to shoot in much higher ISO with noticeable improvement in IQ but remember to keep your hands steady (no tripod needed) and it only works in jpeg. How is this different than stopping down 2 stops on the shutter speed? The Mark IV takes 4 images separately, process and align them to produce less noise verses stopping down the shutter which causes motion blurs. When I run out of options in low light, I would switch from RAW to JPG and change to this mode. You will find the photos quite usable even at ISO 3200.

Reasons not to buy
1. LPF- Low Path Filter. Canon could easily remove this filter but chose not to. My take on this, is that Canon is very conservative and they chose to sacrifice sharpness over Moire for many reasons. On my A7Rii I do occasionally see Moire, for example power lines so this is a preference and may not be judged as a defect. Read up on
However, I would rather choose sharpness and risk Moire such as in the Canon 5DSR design. This is where Nikon and Sony shine, their IQ is sharper without the LPF but with slight risk of Moire.
2. 4K video recording is perhaps the worst feature Canon has added to this camera. Motion jpeg creates a warping appx. 240GB file size in just one hour of record time. Also due to the 1.74x crop, I was unable to shoot wide even with a 16-35mm, not to mention the less than okay low light quality. On the up side the Mark IV allows you to frame grab at 8.8MP which gives me better IQ compared to frame grabbed from A7Sii. My assistant can now shoot backup photos at 30fps continuously in critical moments. If you intend to frame grab, I highly recommend that the shutter speed is set to 1/125 or higher otherwise most of the frames would not be usable. Canon should have given us another codec option with better compression and not worry about cannibalizing their pro cinema line. Their near sight leaves the door open for Sony and Nikon. The way Sony is progressing with Nikon's dependency of Sony's sensor, I estimate both Canon and Nikon's dominance on the pro market will not last more than a decade. For now I would keep my Canon lenses and keep my fingers cross that they will up their game.
3. No Tilt screen. Some may wonder why Canon didn’t put this in the Mark IV. My guess is that the tilt screen makes the camera less rugged, harder to seal and both Canon and Nikon want to make their pro gear bullet proof. The toughness of Canon gear is one of the main reasons I use it exclusively for weddings. It’s sad to say that my Sony A7Rii gave me a “Camera Error” message in just a few months of light usage (I couldn’t fix it even after doing a hardware reset) and my Mark III lasted for years. Do I wish for the tilt screen? Canon and Nikon both should listen carefully, I want the tilt screen even if I have to sacrifice some durability and weather resistance.
4. Weight body only is 800g (Not including 90g battery) appx 2 pounds (1 pound=454g), it is 60 grams lighter than the Mark III and 30g heavier than Canon's lightest full frame 6D but still much heavier than the GH4 and A7Rii (625g including battery). I use the Click Camera Holster from Turbo Ace and the weight is not an issue as I could barely felt it during my entire trip in Africa.
5. The memory card is outdated and slow Canon should have used Cfast.
6. No EVF. EVF has many advantages operating in the dark. You can see what the sensor sees instead of everything pitch dark coming from the mirror which makes composition and exposure harder. With EVF, if you are under exposed by not paying attention to the meter, you will immediately notice and make the correction. Here is a unique idea, Canon can add an EVF next to the current view finder as it will be extremely useful for shooting video under the bright sun. It can be retracted like the RX100 but with Canon I don't think that would ever happen. Most would agree without the EVF, the DSLR will be not be able to compete with Mirrorless in video features. This is one of the reasons that Canon is trying to separate still from video on their DSLR line up and steer video shooters to their cinema line . I am not paid by Canon, Sony or any third party. IMO, Sony is better on video and Canon is better on photos.

Important update: As of 9/24/2016 the raw files from Mark IV is supported in Lightroom CC but not in LR 5. No older versions of LR get any updates when there is a new version available. You can use the newest version of the Free Adobe DNG converter Ver 9.7 to convert the native RAW files to DNG's that LR 5 can read.

In conclusion, the photo quality of the Mark IV has been improved remarkably from the Mark III but if you want to shoot video, this is definitely a “no buy” and I would only use it as a backup. Canon is facing some real competitions on sensor technology but amazingly it is still able to keep up on the photography side. For Canon to survive this market in the long term, it has to either heavily invest in mirrorless technology or to follow Nikon's foot print to use Sony's sensor. But to compete in price with the added features Canon may have to make it in Thailand. It's not Canon does not have the ability to make better sensors, just that it is unable to drive cost down to compete in the DSLR market. Imaging the Mark V with Sony’s video specifications and Canon’s brilliant stills technology, may be a reason Sony will never sell its sensors to Canon. The way Sony and Nikon are progressing, I think they are the choice for the all around video and still cameras. Now Canon is hanging on threats relying on its market dominance created through the decades. Most Canon photographers are ready to jump ship, some already did and Canon engineers absolutely have to get on the edge of their chairs to hold on its crown. I sure hope that they will get their act together with all my investment in all the Canon lenses. The Mark IV in video application has inadequate codec selection (biggest killer is file size), lack of zebra, focus peaking, over cropping in 4K mode which affects not only focal length but also ISO performance. The only advantage is its dual pixel AF but the cons out weight the pros. For now, as a photographer, if you own Nikon, stay with Nikon for its great IQ, the Mark IV features are evolution not revolution and they are still not worth the switch. If you are serious about shooting both stills and video buy this camera and the A7Sii or A7Rii and share the lenses with the Metabone Adapter. One thing that I did not mention about the advantage of DSLR over mirrorless is that the sensor stays clean whereas my A7Rii sensor had to be cleaned 3 times during my last 30 day trip. A lot of my pictures had spots which took hours of Photoshop. In the DSLR, the mirror basically acts as a shield during lens change. Sensor cleaning is a huge hassle (almost impossible without leaving some smear even after trying out multiple sensor cleaners) and I hesitated swapping lens on many occasions on all my mirrorlesses. If you shoot mostly photos buy this camera and never look back, IMO, it is the best all around stills camera in 2016.

83 of 89 people found the following review helpful.
5The Mark IV is another superb iteration of the Canon 5D line that hits many of the upgrade checkboxes
By CalBear '01
I'm writing this review as a hobbyist rather than professional photographer (that is, that sells photographs for a living). My first 5D was the Mark II, and I've used the Mark III for over 3 years myself, and instead of going through all the nitty-gritty of the Mark IV which you find elsewhere, I'm going to speak to mostly to the differences I've found in my day-to-day experiences and whether it's worth the upgrade for the hobbyist.

First off, coming from the Mark III, the IV on the outside is very much similar, and you could mistake them at a glance. The differences include a slightly rougher cap on top of the new Mark IV body (where the Canon brand label sits) whereas the Mark III had the same material extended from the body over the cap. Perhaps it's a new material housing to play more nicely with the GPS/Wi-Fi? There's also new switch to toggle face detection in Live View mode in the back. The mode switch dial is also the newer Canon styles that bumps up a bit rather than the more flatter design of the Mark III. Otherwise, for those coming from the Mark III, you can feel right at home picking up the Mark IV for the first time.

In terms of shooting, I personally find the viewfinder to be brighter on the Mark IV than on the Mark III. This could just be my units and maybe a bit of dust on the Mark III, but using the same lenses, I find the Mark IV viewfinder a joy to use, much like the Mark III's, and even a shade brighter! The new Dual Pixel AF works as advertised, and is much faster than the Mark III at face detection and toggling between different subjects - a big improvement here. The back review LCD is also a touchscreen now, which allows for your standard panning of shots as well as pinch-and-zoom. Although many shooters will still opt for the familiar mechanical buttons, as a hobbyist that shares the camera for others to shoot as well as reviews them on the spot with many moms with Android/iPhones, it's so much easier now to have them use the touchscreen to flip from photo to photo, and to zoom in and out to see themselves and whether the shot is worth keeping ;)

In terms of photo quality, the highlight is the improved dynamic range of the new 30MP sensor. Although improved from the Mark II to the Mark III, I see a marked improvement for the Mark IV. Pushing exposure on underexposed shots with the same ISO produces less banding on the same shots with the Mark III. Although Canon is still behind Nikon in this area, I'm happy to see improvements in this area. Auto-focus at lower light levels at the center point is also improved, so that helps with getting those low light shots as well. As for overall crispness and quality of the shots (which of course, depends very much on the lens itself), I found photos were very similar on the Mark IV, which is not in anyway a let down given I thought the Mark III was overall excellent in terms of stills quality.

Also as a hobbyist with a simple Lightroom workflow, I still have Lightroom 5. With Adobe's latest Camera Raw 9.7, Adobe now supports the Mark IV, but you'll need the newest Lightroom 6 or Lightroom CC, which is another cost to add to your upgrade tally if you don't already have those versions and plan to use Lightroom. Also, although Adobe will enable editing of the new Dual Pixel RAW format in Lightroom, it looks like, at least for now (as of late September 2016), it doesn't support any making micro-adjustments in focus that can be done in DPP. I find that it's useful when shooting with fast primes like the Canon 50 f/1.2L where small adjustments can help you hit focus.

Overall, another superb iteration of the Canon 5D line that hits many of the upgrade checkboxes, most particular in the area of dynamic range. I'll update my review as I've gotten more behind-the-lens time with the Mark IV, and in particular, video shooting. So, is the upgrade worth it for Mark III owners? I would say for those of you shooting in more low light settings, the upgrades could make the additional cost worth it for you. However, for many others, given that photo quality improvement from the Mark III is not revolutionary, I would say it may not be at the current MSRP for Mark III owners; maybe wait for the next Black Friday sale to bring the price down a bit. Also, having used the Mark II as well myself, for those Mark II owners itching for the next big thing, with two generations of technology under its belt, the Mark IV is a worthy upgrade that you don't have to worry looking back on!

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